the reasons why it was made and whether it actually depicts a specific Asian person remain a mystery

—Architectural Research Quarterly

Gail Feigenbaum is a former associate director of the Getty Research Institute and the coeditor of Sacred Possessions (Getty Publications

deftly foregrounds the institutional and social structures that propagated the announcements of photography

More than One Picture: An Art History of the Hyperimage 7-8 the reasons why it wasFelix Thurlemann In exhibitions, illustrated art books, and classrooms, artworks or their photographic reproductions are arranged as calculated ensembles that have their own importance. In this volume, Felix Thurlemann develops a theory of this type of image use, arguing that with each new gathering of images, an art object is reinterpreted. These hyperimages have played a major role in the history of art since the seventeenth century, and the main